Elliott Waits For No One (EWFNO) have released their self-titled debut album on Dark Star Records/Sony/Universal. The video for their second single “You Can’t See Through Me” was premiered worldwide on SciFiction.com.
The new short film music video for “You Can’t See Through Me” is an Official Selection for the Golden Short Film Festival for the Sci Fi Short Film Category. The video is directed by Tim Roth.
The new single can be purchased online or streamed: https://smarturl.it/ewfno
VP of Entertainment Owen Cotter of McGill Media & SciFiction.com says Elliott Waits For No One’s new single and music video is a must to checkout! With a mix of Asimov sci-fi style robots dancing in a nature dreamscape combined with alternative rock tunes what’s not more to want. This new single rocks and I highly recommend it!
In advance of the premiere Brian Troch, Jenny Franck and video director Tim Roth along VP of Entertainment Owen C. Cotter of McGill Media joins bestselling fantasy author Brian D. Anderson of Tor Publishing and Emmy award winning composer Jacob Bunton for a roundtable Zoom discussion on the show “After The Con.”
Tim Roth, director of the video adds, “The first time I heard “You Can’t See Through Me” by Elliott Waits For No One, I was immediately struck with images of a slow-motion ballet dancer, dancing among ruins. The haunting, evocative cello, the dark vocals, and the beautiful melody, made this a video that I felt could be quite compelling and poignant, and I was eager to take on the project. Unfortunately (or serendipitously), no models were willing to work in-person due to the pandemic. I then turned to resources that I knew I had ready access to…Computer Graphics. Actors were replaced with 3D models and landscapes were only limited by what I could find online. All four seasons were now at my disposal. Once the smoke finally cleared from the Northern California fires, I was also able to venture out and capture some of the beautiful landscapes that I needed for the “hero” shots. It also didn’t hurt that my brother Nick Roth is an ace graphic artist and was always available to answer technical questions…and there were many.”
SciFiction.com has a rich history as a Hugo and Nebula award-winning SciFi literary project formerly owned by the SyFy Channel, and is now set to become the premiere destination for all things SciFi and beyond! SciFiction.com showcases geek-chic news, reviews, interviews, events and articles, and publishes the works of relevant artists and authors. SciFiction.com has over 200 thousand subscribers and is presently negotiating contracts with with numerous top science fiction partners to showcase and promote film and television projects, along with exclusive actor interviews, articles, and behind the scenes journalism. SciFiction.com is an official channel of McGill Media, and is run by Owen Cotter, who has appeared in media such as ESPN, VH1, SiriusXM, Real Scene TV, William Shatner’s MyOuterSpace TV. SciFiction and Owen Cotter have been an official media partner for conventions such as San Diego Comic Con, Stan Lee’s LA Comic Con, Wizard World, Dragon Con, ReedPOP’s Star Wars Celebration, and many more.
McGill Media which is among the fastest growing thought leadership, lifestyle, and personal empowerment brands/new media networks in the world.
Elliott Waits For No One is:
About Elliott Waits for No One
Alternative rock trio Elliott Waits for No One is the result of three separate long and winding roads that converged at just the right time. Inspired by the ups and downs of decades spent in the music industry, EWFNO reflect the hope and heartbreak that can only come from lives lived on the road, on the charts, and on stage. With songs such as “Sick of It All” and “Loathing,” as hopeful and catchy as they are dark and aggressive, Brian Troch, Jenny Franck, and Jeff Tortora have sculpted their many adventures into a sound and story fit for the multitudes.
Based in Chicago and Las Vegas and cleverly named for their mutual affection for Elliott Smith and Tom Waits, the exuberant members of EWFNO endured storied journeys before finally forming what they each consider the best project of their career.
While fronting several Chicago bands during the early 1990s, guitarist and vocalist Troch experienced enough highs and lows to fill a lifetime. His charisma as a frontman garnered Troch’s bands multiple headlining slots at major venues across the U.S., as well as an appearance on MTV’s Halloween Horrorshow. Shortly thereafter, Troch lost close friend and drummer Jeff Ward just as the pair’s band began building a major industry buzz.
Troch rebounded from the untimely loss and joined Zno White, which signed a major deal with Combat/Relativity/Sony Records and eventually became Cyclone Temple. Cyclone Temple lasted for three world tours and appeared on MTV’s Headbangers Ball. Once Cyclone Temple disbanded, Troch answered the call to form Shooting Hemlock with drummer Tortora. Shooting Hemlock was a hard rock band that performed major industry showcases and played to capacity crowds at such prestigious venues as NYC’s Limelight. Shooting Hemlock released two albums before going their separate ways.
Big stages were nothing new for Tortora, a drumming virtuoso who had already developed a reputation as one of the industry’s most versatile, inventive, and hardest-hitting percussionists. In 2000, Tortora earned a drummer’s dream job: he was chosen from among 600 applicants to drum for the Blue Man Group.
Tortora has since toured the world, performed during the Super Bowl halftime show, and played in front of over a million people in Rio de Janeiro. Tortora has also lent his thunderous drumming to acts such as Korn and Billy Idol.
While Tortora and Troch were busy tasting the bliss and the bitterness of the rock world, Franck was establishing herself as a rising must-hear voice within alternative rock. Inspired by the melodramatic musings of grunge rockers Nirvana, Alice in Chains, and Stone Temple Pilots, Franck enchanted even the most jaded of industry folks with her soulful voice.
After releasing her much-acclaimed first three records, Franck’s song “Black Crows” would eventually earn her a record deal with Sony Music’s Dark Star Records and a first-round Grammy nomination for Best New Artist and Best Rock Song of the Year.
EWFNO formed when Franck met Troch at Dark Star Records, the label to which they were both signed. The dynamic duo knew right away that the sugar of Franck’s divine voice blended perfectly with the spice of Troch’s gritty growl: “When we wrote our first song together, “Sick of It All,” our voices, though quite different from one another, complimented each other beautifully. I absolutely knew we had something special.”
The pair’s trust in their instincts represents EWFNO’s modus operandi in both their music and life in general. While some musicians take a cerebral tack to writing songs, EWFNO thrive via a much more visceral approach.
Feeling is paramount during songwriting sessions, and inspiration is allowed to flow from wherever it may, as Franck explains: “We bring each other unfinished songs or riffs and finish them together. Sometimes Brian will bring me something to add lyrics to. I’ve always been more of a poet who puts melodies and music to my words.”
EWFNO’s guttural approach to songwriting carries over to the band’s live shows. Troch summarizes the band’s mission when taking the stage: “We want everyone to have a great time. We want to take them on an emotional ride and let them forget about the tumultuous times we live in.”
About Michael Brandvold Marketing
From working with up-and-coming independent artists of all genres to overseeing online marketing for major acts like KISS, Britney Spears, and Dream Theater, Michael Brandvold’s impact on the modern music industry is without question. In addition to spearheading digital strategy creation and online social media management for bands, he has helped create marketing strategies that have made millions of dollars for clients.
Michael’s expertise was instrumental in growing and managing the KISS online community from its inception in 1998 to an enterprise generating millions of dollars every year and engaging more than a half-million visitors every month.
In addition to assisting with the band’s online community, Michael was also instrumental in the creation of the VIP Platinum Ticket Program, which was first implemented during KISS’ 2003 US tour. The concept granted the band’s biggest fans face-to-face access to the band, premium seating at shows, and exclusive autographed merchandise.
Over the years, Michael’s expertise has been put to use for a number of well-known companies like Universal Music Group, BMG/Sanctuary Records, Rhino Records, Playboy, Roadrunner Records, and Nuclear Blast Records.
In 2014, Michael published a revised edition of his book, KISS School of Marketing: 11 Lessons Learned While Working with KISS. The digital book quickly climbed to the number one spot on Noisetrade’s Business & Finance and Arts & Entertainment lists.