From scoring the most well-known crime-fighting turtles to writing songs for comedy, a panel of musical experts discussed the creative process and gave insight to some of today’s top television and film projects for Comic-Con attendees.
Los Angeles, CA – For this year’s Comic-Con 2020 at Home, fans in anticipation watched music creatives discuss and share on the “Music for Animation” panel. The conversation included songwriters Elyssa Samsel and Kate Anderson (Central Park), composer Jefferson Friedman (Harley Quinn), composer Roger Neill (JJ Villaird’s Fairy Tales), composer Sebastian Evans (Teenage Mutant Ninja Turtles), and composer and orchestrator Tim Davies (Trollhunters: Tales of Arcadia). Moderated by actors Keith David (JJ Villaird’s Fairy Tales, Gargoyles) and Alan Tudyk (Frozen, Harley Quinn).
Discussing how they started working on the new beloved show Central Park, Kate Anderson started off by saying, “Writing for animation has been a good fit for us because anything is possible. We were both living in Brooklyn and hoping that something would happen magically. Josh reached out on Instagram and was like ‘Hey, can I talk to you guys about something?’ We were immediately super intrigued. He said they were creating this animated series and asked if we would be interested. We never thought someone would call and say, ‘Hey, do you want your dream job?'” Elyssa Samsel added, “We come from theater and in theater, you can only do so much.”
Discussing his love for music in both orchestration and composer, Tim Davies stated, “I like playing with notes. Anything I can do with music, especially live orchestras, is my favorite thing to do. Orchestrating is always with other people versus composing is more with just yourself. Composer writes the music and gets through the process. Orchestration is the after the process that I can make possible from some abstract scores. The orchestra is my favorite instrument.”
Fusing hip-hop into such an iconic franchise, Sebastian Evans shared his work on Teenage Mutant Ninja Turtles: “I’m a fan doing a dream job. I wanted to add the true ninja sound behind the Teenage Music Ninja Turtles. I wanted to insert that along with the hip-hop vibe to cram it all in as an homage to all the past versions. I don’t feel like it is different comparing orchestra from hip-hop music. The essence is the same. Putting hip-hop throughout TMNT was talking about the exploitation of the underground elements of hip-hop just like the turtles. It doesn’t skip the orchestral elements either though. I love putting easter eggs in the score too. Thematically, I used different parts of iterations of Turtles.”
Jefferson Friedman began to discuss the role of diverse perspectives within his work, “For me as a white cis-male, I always try to hire women or minorities. All things equal, they will always get the job over someone else. For Harley Quinn, one of the major plotlines it was always a will they or won’t they between Harley Quinn and Poison Ivy. For LGBT+ youth, it is considered the most important storyline. There is a big kiss at one point in an episode. I see it as an allegory for how hard it is to come out since they are hanging from a vine over a pit. When the episode came out, that moment helped so many people and made people’s lives that much better. Whenever you have the opportunity to tell a story that is more diverse and better for other people, it is what we strive for.”
Adding to this conversation, Roger Neill said, “As composers, we’re independent contractors, we have choices on who we can hire and who we can work for or with. In my case, I’m very proud and happy that I get to work with directors who are women. The idea of trying to break into the industry is so daunting. One thing I like to say is you didn’t get your break by somebody you’re going to meet one day but somebody you likely know now.”
Virtual Comic-Con attendees laughed and learned about the auditory components of some of their favorite projects along with the important role of diverse perspectives in entertainment.
About Impact24 PR:
This panel was produced by Impact24 Public Relations and its team members. Impact24 PR is dedicated to capturing the spotlight for the talent behind-the-camera and behind-the-curtain, and supports many of the industry’s leading creative artists, including composers, cinematographers, VFX companies, production designers, makeup artists, VFX, and more. For more information on the company and panelists, visit www.impact24pr.com or on Facebook (www.facebook.com/ Impact24PR) and Twitter (twitter.com/impact24pr.)
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